This was written for Colleen Chesebro’s Tanka Tuesday challenge. She asked us to write a syllabic poem with synonyms for “green” and “morass.” I chose to write a butterfly cinquain. The Poets Collective defines a butterfly cinquain this way: “An unrhymed 9 line poem. syllabic, 2-4-6-8-2-8-6-4-2 syllables per line.”
I’m feeling super lousy today after my second Covid shot. I’m glad my migraine brain could still come up with poetry, though I decided I didn’t want to bother with rhyme today. 😛 Thinking about the chosen words and synonyms, I thought about Spanish moss and remembered hiking under trees like this while visiting Virginia. Unfortunately, my poor dad was a feast for chiggers that day, but the trees were beautiful.
This was written for Colleen M. Chesebro’s Tanka Tuesday challenge. This week it’s poet’s choice, but Colleen pointed out a list of syllabic poetry forms at Poets’ Collective.
I went to the link at Poets’ Collective and tried an arkquain swirl, a different syllabic poetry form than I have tried before. An arkquain swirl has this syllable count pattern — 1234~5775~4321234~5775~4321234~5775~4321. It also has end rhymes on the seven syllable lines.
I was inspired by my recent July 4th celebration with family, which included a few family members I haven’t seen in quite a while. Our celebration was characterized by lots and lots of food, and playing a game which, just as the poem suggests, had us helping one another rather than opposing one another.
First, choose your favorite syllabic poetry form. Write your poem.
Next, give your poem some different characteristics to make it something different. You can change the syllable count, rhyme scheme (add or get rid of it), anything you want to create a new form. Write this poem.
Give your new syllabic poetry form a name.
This poem was halfway coming together in my head as I was driving and before I saw the specifics of this week’s challenge. So, I went about this backwards perhaps. I took my half-formed poem and made it fit some sort of syllabic format, and then tried to see how it fit the challenge. I’ll say this is a haiku, but the line count changed to four, and the syllable count changed to 5-7-6-3. The fourth line is a refrain or variations on a refrain. The stanzas in my new form can be repeated several times, so, in that sense, in length, it is similar to a renga or solo renga. Then again, like a tanka, this form can be on any topic, not necessarily nature. I’m calling it a hankenga. Ha ha! It really just worked out that way, without me even trying to be punny. By the way, the driving situation where someone honked because I stopped for someone in a crosswalk really did happen, just not in the past few days.
This was written for this week’s Tanka Tuesday challenge, hosted by Colleen M. Chesebro. This week’s theme was Disoveries, and I chose to write about food discoveries and wrote both a choka and tanka.
We have joined a CSA, and that has introduced us to some new produce that is not normally found in grocery stores — sometimes just a new variety of something familiar, like the purple bell peppers, or something somewhat familiar that I wasn’t in the habit of buying, like the bok choy. Actually, bok choy was one of the main components in the recipe, found here, that I featured in the tanka. The syllable count made it hard to include it, and I wanted to emphasize the foreign Thai flavorings. I’ve made it two or three times now, so it’s recommended.
This was written for Colleen M. Chesebro’s Tanka Tuesday challenge. We were challenged to write a syllabic poem inspired by the artistic photo shown. I was inspired both by the photo and this bit of information I found on http://www.ancient-wisdom.com, “The ancientPolynesiansnavigated their canoes by the stars and other signs that came from the ocean and sky. Navigation was a precise science, a learned art that was passed on verbally from one navigator to another for countless generations.” I decided then to make reference to a Polynesian bird.
